Whilst we see the big stadium performances, live versions of Modern Love and Heroes, the film acts as an insight into his personal life for those who may not have been aware of the time – be that because they discovered Bowie late or did not keep up with the news then. Moonage Daydream is a lengthy biopic – a creative and spiritual journey is explored here. But then it's Bowie we shouldn't have expected anything less. The film opens with a tribute to cinema – the iconic final lines from Blade Runner play out as a theory is positioned before our eyes - a bold way to start your Bowie doc if there ever was one – god is dead so we looked elsewhere to replace him - and catapulted people like Bowie and other rockstars of his age to untouchable stardom – and the film lives up to that bold, lavish statement – eccentric as the man himself – expect convention here, you’ll be disappointed. Moonage Daydream feels like an apology – by the end you’ll have forgotten that film ever existed proving that documentaries are the best form of tribute to these great figures – with Brett Morgan very much in tune with who Bowie was in person. Stardust, that was, focused on his American tour – he couldn’t even play Bowie’s own songs. Reproductions of all picture sleeves are a feature of the artwork which also includes clippings and memorabilia from the time when Sham 69 ruled the charts! TracklistĢ6.Music biopics are a dime a dozen and we’ve even had a sham of a hamfisted biopic about Bowie himself last year, with Johnny Flynn in the titular role. The detailed booklet includes a new interview with guitarist and song-writer Dave Parsons in conversation with Vive La Rock journalist Phil Singleton. The bonus disc was recorded at London’s sadly missed Rainbow Theatre, a ‘farewell’ gig billed as “Sham’s Last Stand”. Amongst the many bonus tracks are three studio demos that were originally intended for the “Quadrophenia” film that was being made at the time. The bonus disc is a 24 song set from the Glasgow Apollo on which Sex Pistols Paul Cook and Steve Jones guest on four songs that at the time were set to announce a new ‘supergroup’ the Sham Pistols.ĭisc 7 is Sham’s final original era album “The Game” which includes the hit single “Tell The Children” (No.45). The bonus tracks also include the extended mixes of “Borstal Breakout” and “If The Kids Are United” that were originally featured on a 12” given away with initial vinyl copies of the LP. It includes the hit single “You’re A Better Man Than I” (No.49) whilst the bonus tracks include the No.8 hit single “Hersham Boys” and the No.18 “Questions & Answers”. Sham’s biggest selling album was “The Adventures Of Hersham Boys” which reached No.8 in the summer of 1979. The bonus disc is a much sought after show Sham did for the BBC In Concert programme in February 1979. This includes the hit singles “Angels With Dirty Faces” (No.19) and “Hurry Up Harry” (No.10) whilst the bonus tracks feature band anthem and Top 10 hit “If The Kids Are United”. ![]() 27 during an 11 week chart run and is Disc 3. ![]() The band’s second album “That’s Life” reached No. The bonus disc is the 15 track In Concert” from the legendary London Roundhouse in February 1978. The bonus tracks include debut single “I Don’t Wanna” which was produced by Velvet Underground’s John Cale as well as a five song session recorded for the BBC Radio John Peel show. This album hit No.25 during an eight week chart run in 1978. This 8CD 144 track box set contains the four studio albums issued by Sham 69 between 1978-80, each one paired with a bonus live disc from the era.ĭebut album “Tell Us The Truth” is Disc 1.
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